Archive for the ‘flute’ Category

Madejski Academy Music Trial Day

Wednesday, October 6th, 2010

Thursday 30th September, John Madejski Academy, Reading- Matt Sanders, Brass Dept

Vicky and I were lucky enough last week to be invited to the John Madejski Academy to help out with a series of Hands-On classes in their excellent music department. They were keen to start new beginners to help grow the music department at the school. Lead by Leah Mills, the head of music, and Paul McManus at the Music Industries Association, we were asked to bring 7 flutes and 7 trumpets and told to expect some fun…

Our first class came streaming in at around 10am and made a beeline for the shiny trumpets! I had 6 children at a time and 10 minutes later had 6 children just starting to play “hot cross buns”. Then it was Vicky’s turn, almost unbelievably, 10 minutes later she too had a group able to blow 3 notes on a flute!

We had a few really outstanding players through the day, taking to flute very naturally and even a few budding trumpeters. One spectacularly managed a whole scale of C-major.

It’s nice to see enthusiasm in the children’s faces when playing an instrument; the educational and behavioural benefits have been proven in various studies. We hope the kids over at the JMA enjoy their new music lessons and get all the benefits they deserve.

* Images courtesy of MIA and approved by Madejski Academy *

British Flute Society Convention – Day 4 FINAL

Monday, August 23rd, 2010

YouTube Preview ImageDay 4:
I must say that despite barely playing a note over the past few days I am totally fluted out! Today started with a brilliant beatboxing session with Greg Pattillo (SEE VIDEO ABOVE – COURTESY OF YOUTUBE). He’s a really good teacher and if you can’t get to see him live I would definetely recomend checking him out further on you tube.
This was followed by recitals by Unji Chung, Elzbieta Wolenska and a class on how to play Irish music with Eimear Mcgeown. I decided to have a break after this to visit the trade stands but I went back after spending far too much money on music to see a recital of contemporary Celtic fusion with Philipe Barnes and finally a recital by the scottish flute trio featuring Japanese percussionist Joji Hirota. Anyway, I’ve had a fantastic if exhausting time over the past few days and I’m really looking forward to getting home and fitting a bit of practice in before baby Dawkes arrives.

Julia Bentley Dawkes
www.suzukiflute.co.uk

British Flute Society Convention – Day 3

Sunday, August 22nd, 2010

After a good nights sleep I managed to make it to Trevor Wyes early 
session on practising efficiently followed by the brilliant Alexandra 
Grot, the hong kong flute centre flute orchestra, another piccolo 
recital and the fantastic Katherine Bryan who has inspired me to dig 
out the Hue fantasie when I get home. This was followed by the ultra 
contemporary Ayre flute octet and a baroque recital with Rachel Brown. 
I’m not sure which I prefered but I’m pretty sure I fell asleep in the 
later. Anyway I was soon woken up by ‘Jazz’ with Gareth Lockrane. 
Gareth played at our wedding in 2008 so It was really good to hear him 
again.
Next up was a brilliant flute quintet from Germany called Quintessenz 
which was followed by Trevor Wyes infamous Flute spectacular which is 
still hilarious even after 35 years. After tea we all rushed to get 
the best seats for Emanual Pahuds recital. This was preceeded by the 
Russian flautist Alena Lugovkina and another chance to hear the 
fabolous Magnum trio. Needless to say Pahuds recital was brilliant and 
it was really amusing to see all the women (and most of the men) 
swooning over him infact it got so hot in the concert hall that my 
ankles swelled up to twice thier normal size. ( pregnancy 
hormones!) So after a spot of Irish music with Eimer MgGeown  I went to 
cool down in the bar with beat boxing sensation Greg Patillo. Anyway 
I’m off to bed now. You never know i might actually get up in time to 
do some playing tomorrow.
PS - quote of the day has to be Trevor Wye describing how to practise 
scales expresively ‘if you’re going to kiss someone don’t worry about 
standing on thier feet’

Julia Bentley Dawkes
www.suzukiflute.co.uk

British Flute Society Convention – DAY 2

Saturday, August 21st, 2010

Well, needless to say I didn’t make it to the warm up this morning at 7am but I did manage to catch an early lecture on performance anxiety with Mary lee Cochran from the psychology department of Kansas State University. This was followed by a recital by two horribly attractive and talented flautists, Kayoko Minamino and Zsuzsa Vamosi-Nagy, titled fresh faces – fresh music.

Next up I had to decide between watching Mike Mower perform a selection of his compositions or a talk on basic flute maintainance by the resident repairer Arthur Haswell. The later was probably a bit of a mistake as obviously Arthur didn’t want to encourage a bunch of flute teachers to start fiddling around with their students instruments! However i did learn that cleaning your teeth prior to playing the flute is just as bad as drinking a can of coke. The afternoon consisted of a recital by the flautist Silvia Careddu and a fantastic performance by a flute choir from Italy called Joueurs de flute which consisted of all types of flutes including the contra bass. This was followed by two flute trios. The first were an English trio who played works by Boismortier and Gary Shocker. The second were three young men from japan who dressed up as monkeys 
complete with bright red backsides and proceeded to run around the concert hall playing thier flutes through their noses. Brilliant! I’m sure you can guess which one I prefered. Seriously though the Japanese trio who call themselves the Magnum trio were awesome. They used various 
flutes and special remodelled instruments and headjoints and had composed all the pieces themselves which contained loads of unusual 
techniques. Personally I liked it when they stuck kazoos in the end of thier flutes. It made them all sound like Sweep!

After this I went to hear Andy Findon talk about playing the flute in the comercial world, which proved to be a very informative and entertaining chat about his life as a session musician and doubler in the west end. Anyway since then i have listened to a piccolo recital (ouch!) another piece by Gary Shocker for flute and piano (played at the same time) and another recital by the amazing Marco Grando. I’m  going to have a break now but Ill go back in a bit to see some more Andy Findon, a recital by William Bennett, a talk about the Dopplers and their musical effects and not forgetting late night yoga!
JBD

Julia Bentley Dawkes
www.suzukiflute.co.uk

British Flute Society Convention – Day 1

Friday, August 20th, 2010

Julia Bentley Dawkes is a local flautist and flute teacher specialising in the suzuki method of teaching music. She is attending the British Flute Societys seventh international convention at the Royal Northern College of Music in Manchester.

Julias Blog: Well here I am at the RNCM in Manchester for what has so far been an inspiring day of lectures, master classes, recitals and demonstrations. I have listened to a talk about Suzuki and the flute by Cristina Crespo, a recital by Gareth McClearnon, a talk about the French flautist and composer Gaubert, and a fascinating recital of new flute repertoire played on the bass contrabass and sub-contrabass flute by Peter Sheridan. I am currently listening to ‘a look at the past’, a concert of early music played on authentic period instruments (yawn!). This is followed by another recital by the venezuelan flautist Marco Granados with the Orquesta Nacional de Flautas de Venezuela and if I’m still awake after that I’m off to late night yoga ( which should be interesting at seven months pregnant!)

Really looking forward to learning how to flute beat box tommorow with You Yube sensation Greg Patillo (look him up if you don’t know him!). I’ll let you know how I get on!

JBD

Julia Bentley Dawkes – www.suzukiflute.co.uk

Bass Flute – Have a sit down!

Saturday, May 1st, 2010

Well, we waited eagerly (at least the flute players here did!) for the arrival of our Jupiter Bass Flute – 1125ES…seen for the first time last year ‘stood up’ at a trade show. It arrived safe and sound and we set about the often perplexing assembly of harmony instruments, happily this was a breeze and within seconds the instrument was assembled with due care and off we went. First impressions: this adjustable floor peg is really useful…Having had a fair amount of Bass Clarinet playing experience I felt quite at home with the peg, although the sax playing part of my mind spotted the sling hook as a good back up. Perhaps more useful for any pieces where mobility is required! For an average flute player like myself I was actually amazed with the sound I could produce on this notoriously ‘chop reliant’ instrument. However, once I was puffed out and had explored the limits of my 3 octave range I passed the instrument to one of our real flute players…

Vicky had a good toot up and down the instrument as we explored more accurately (than I could muster) its tonal qualities and range. The sound of any good Bass Flute can be described as hauntingly beautiful without fear of overdoing it, but these large instruments really demand quality padding and all the regulation to be pretty perfect. Try playing any Bari Sax, Bass Clarinet, Bass Flute etc that’s in poor mechanical condition and it soon becomes a battle. Although this instrument would get put through our specialist workshop pre-sale we were very impressed with the factory set-up, the mechanics, spring and pad covering were all good and this bodes well for the future use of the instrument. Often these instruments either end up with Music Centres, where they can be slightly man-handled, or with Adult players who don’t use it as regularly as a C flute so need it to stay in regulation and be ready to blow every time they pick it up.

YouTube Preview Image

There’s no escaping the fact these instruments are expensive but if we were recommending it as an investment we’d be happy to put our bet on the Jupiter. As explained earlier if you want a harmony instrument of this nature it would pay long term dividends to have a good quality instrument, after all it would be far more enjoyable to play, have better tuning. and spend a lot less time needing expensive repair attention.

This vertical instrument is easy to use and transport and incurs no difference in sound quality to a straight model, so for a young group or adult ensemble this would make a great buy. In our opinion it blows as well as other specialist flute brands at a similar or even higher price point. For Bass Flute price details click here

Sam & Vicky – 1/5/10

NEW! Pearl Flute Info Videos

Thursday, April 15th, 2010

Hi all. We’ve just uploaded 2 new videos on the splendid Pearl 695RBE CODA and 795RBE Coda Flutes.

These are fairly new additions to our ever expanding flute range and have some cool (and useful!) features including extra trill key, roller and of course a B footjoint.

Have a watch of our very own Vicky talking you through these NEW Pearl Flutes on our You Tube Channel

Or of course, come and see them and try them in the shop.

ps – Follow us on Facebook to see our video bloopers and more!