Second Hand
Michaela Bell; Woodwind Teacher, Berkshire
I recently bought a secondhand Selmer 10S clarinet from Dawkes, which I had kept my eye on as soon as it came into the shop! This instrument was made some time between 1978-9 (so it is approximately a decade older than I am!). Although it is in immaculate condition, (especially after the workshop had got their magic hands on it), I was concerned that due to its age, the bore might be prone to drying out and in need of some TLC. In the past, I have treated my oboe and Cor Anglais with bore oil, but this has led to problems with sticky pads and I wasn’t entirely happy with the results, so I was a little reluctant to try that particular brand of bore oil again.
After a chat with Prof. Weinberg, I invested in a bottle of his own hydrophilic bore oil. He explained that it was a product which came about after two years of scientific research and analysis into treating wooden instruments and that it is unlike any other bore oil on the market. Weinberg’s oil is derived from flower oils from China and India. It’s these oils which allow moisture to pass into the wood, keeping the wood continually moisturised, which then prevents it from warping and cracking. It can even be used before or after playing. Other oils on the market either create a barrier to absorption of moisture or actually contain oils that have a drying and hardening effect. One such oil is linseed oil, a product whose use was recommended by Selmer and Boosey and Hawkes. Treating these instruments in such a way can drastically alter the sound, performance and appearance of an instrument, and not necessarily for the better! In fact, leading instrument manufacturers have noted a massive reduction in the return rate of cheaper wooden instruments from a whopping 50% to 1% after the introduction of Weinberg’s bore oil!
This oil is also incredibly easy to use. There’s no pouring, dripping or drizzling involved. The instructions, which come with the product, outline how to apply a few drops of the oil onto a pullthrough, dab off the excess with kitchen towel and simply pull it through the instrument, leaving behind a very thin layer of oil (which is all that is needed). I use silk or cotton pullthroughs, which are less likely to simply absorb all of the oil (like a chamois pullthrough might do).
Windcraft Deluxe Clarinet and Flute Swab – Chamois Style Material
It seems like an easy task – trying to find a decent pullthrough for your clarinet. It’s just a piece of cloth you shove down the instrument after playing, right? Hmm…well, I’ve been searching for a pullthrough that cleans out the clarinet effectively and efficiently so that I can pack up as quickly as possible after a rehearsal and dash off to the pub for a well-deserved drink! I’ve tested a variety of brands and a range of materials, sizes and shapes and have concluded that the Windcraft Deluxe Clarinet/Flute swab is a clear winner.
This particular pullthrough behaves like a chamois leather pullthrough but retails at a fraction of the price. The Windcraft Deluxe pullthrough is wide, long and dries the inside of the instrument very effectively. Its high absorbency level means that generally, the bore is dried after just one wipe through. This product is of great quality, meaning that it is highly durable. I’ve even hand washed mine, hung it up to dry and it is perfectly clean and hygienic to carry on using again. As briefly mentioned before, for the job it does, this pullthrough is very reasonably priced.
